There is perhaps no clearer proof of a young man's almost helpless natural benevolence towards female beauty - and his admiration for the beautiful women who share it with him - than his desire to see it - and them - raised to lofty heights. And there's no more delightful illustration of it than love of the giantess.

Click here to visit a Giantess worship site to see what I mean.

I received a picture a few days ago from a young man who was leery of my reaction to it. I responded to it with enthusiastic encouragement. It reminded me of a picture I drew many years ago of a blonde giantess towering nude over a Jack-and-the-Beanstalk cottage in the old English countryside. I called it Thе Gіаnt's Wife. But I was as confused by my desire to create such an image then as Bigmouth - this young man's e-name - is by his now. (In fact, Bigmouth has created quite a few of these marvellous pictures, inspired by his love of Page 3 beauty Pаgе Kіrstеn Imrie. Click here to check them out.)

Happily, today, I've found just enough wisdom to understand what possesses some men to create images like these, or for that matter, movies like The 50-Fооt Cеntеrfоld.

To understand them you have to realize that they are NOT perversions, or fetishes. They are art. They belong to the school of art called Surrealism, which is dedicated to the interaction of reality and man's subconscious mind. The purpose of Surrealism is to bring man's unidentified motives, moral and metaphysical, into his full conscious awareness. It does so by juxtapositioning unrelated objects in an everyday setting or natural background, or by taking everyday things out of their normal environment and positioning them in environments where they could not normally exist. A beautiful 300-foot woman interacting with the everyday world unselfconsciously nude qualifies perfectly.

And here's what she brings to our consciousness awareness:

A giantess's size is a symbol - a pictoral subsititute - for what can't be rendered pictorially - her character. In today's atmosphere of hatred towards female beauty and sexuality, where beautiful and sexual women are almost unanimously considered shallow or immoral, it takes great character to pose nude happily. The giantess's gargantuan physical dimensions are a representation or visual substitute for her gigantic character, which we can't see directly.

Metaphysically, her very existence - especially in the real world - is extremely significant: it illustrates the relationship in life between female beauty and the world, which is: female beauty is an unexpectedly huge and unavoidable part of life. And properly so, according to the giantess and her creators.

In a world that despises female beauty, young men need a way to preserve their reverence and admiration for beauty, the character values it represents, and the romanic values it promises. They get this from women like Kіrstеn Imrіе, women who share the beauty of their bodies with all young men with the benevolent expectation that these men will undoubtedly endeavor to deserve it.

Bigmouth's pictures prove how strongly and morally men can be motivated by such women to deserve it - men who take the time to create beautiful reverent images, time that other guys might spend surfing the internet looking for porn. Giantesses give men something porn cannot. They deliver that oh so necessary moral sanction young men need to fully enjoy their admiration for and sexual attraction to beautiful and sexy women. They help validate nude women. After all, if a 300-foot babe wants to strip and parade through the city streets, who the hell is going to stop her?

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